Patricia Barber Companion

audiophile Collector´s Edition 24 Karat Gold CD

Premonition 90762-G

new, factory sealed

One of the finest vocal jazz albums ever, released as audiophile 24 karat Gold High Definition CD. An audiophile dream come true!

Patricia Barber Nightclub

audiophile Collector´s Edition 24 Karat Gold CD

Premonition 90763-G

new, factory sealed

One of the finest vocal jazz albums, released as audiophile 24 Karat Gold High Definition CD

An audiophile dream come true!

Patricia Barber Cafe Blue

audiophile 24 Karat Gold CD Edition

Impex Premonition Records IMP 8325

made in USA

new, factory sealed

For Impex first all-new 24K Gold CD releases in eight years, we worked with jazz icon Patricia Barber and Premonition Records to bring you three classics from her catalog: CAFÉ BLUE, COMPANION, and NIGHTCLUB. Each has been newly remastered from the original analog tapes (CAFÉ BLUE by Kevin Gray at Cohearent Audio, COMPANION and NIGHTCLUB by Bernie Grundman at Bernie Grundman Mastering). They feature our deluxe book-style packaging with booklets that pay homage to the original CDs while updating them to Impex Records' look and feel.

The Limited Edition Impex 24K Gold CD Patricia Barber Series are manufactured at Memory-Tech's state-of-the-art facility in Japan.

Patricia Barber Modern Cool

audiophile Collector´s Edition 24 Karat Gold CD

Premonition 90761-G

new, factory sealed

One of the finest vocal jazz albums, released as audiophile 24 Karat Gold High Definition CD.

An audiophile dream come true!

Hank Mobley A Caddy for Daddy

Blue Note Analogue Productions CBNJ 84230 SA Hybrid-SACD

Blue Note jazz classic in audiophile sound quality

new, factory sealed

Hank Mobley was a perfect artist for Blue Note in the 1960s. On this LP Mobley is joined by trumpeter Lee Morgan, trombonist Curtis Fuller, pianist McCoy Tyner, bassist Bob Cranshaw and drummer Billy Higgins (a typically remarkable Blue Note lineup) for the infectious title cut, three other lesser-known but superior originals, plus Wayne Shorter's "Venus Di Mildew."

Originally released in 1965.

Bob Cranshaw, bass - Curtis Fuller, trombone - Billy Higgins, drums - Hank Mobley, sax (tenor) - Lee Morgan, trumpet - McCoy Tyner, piano

Hank Mobley Dippin´

Blue Note Analogue Productions CBNJ 84029 SA Hybrid-SACD

Blue Note jazz classic in audiophile sound quality

new, factory sealed

Lee Morgan, Harold Mabern, Larry Ridley and Billy Higgins join the great tenor saxophonist on this 1965 session featuring four Mobley originals, a beautiful ballad reading of "I See Your Face Before Me" and a terrific version of "Recado Bossa Nova."

Hank Mobley, tenor sax - Lee Morgan, trumpet - Harold Mabern, piano - Larry Ridley, bass - Billy Higgins, drums

Hank Mobley Peckin´ Time

Blue Note Analogue Productions CBNJ 81574 SA Hybrid-SACD

Blue Note jazz classic in audiophile sound quality

new, factory sealed

This hard-swinging February 9, 1958 date with Lee Morgan, Wynton Kelly, Paul Chambers and Charlie Persip was the last in a run of outstanding albums that Mobley and Morgan made for Blue Note in the two years prior.

Hank Mobley, tenor sax - Lee Morgan, trumpet - Wynton Kelly, piano - Paul Chambers, bass - Charlie Persip, drums

Hank Mobley No Room for Squares

Blue Note Analogue Productions CBNJ 84149 SA Hybrid-SACD

Jazz classic in audiophile sound quality

new, factory sealed

Originally released in 1963, No Room for Squares features Lee Morgan and Donald Byrd on trumpet, Andrew Hill and Herbie Hancock on piano, John Ore and Butch Warren on bass and Philly Joe Jones on drums. A masterpiece.

Hank Mobley Workout

Blue Note Analogue Productions CBNJ 84080 SA Hybrid-SACD

Blue Note jazz classic in audiophile sound quality

new, factory sealed

During his stint with Miles Davis, Mobley's four Blue Note sessions with bandmates Wynton Kelly and Paul Chambers are considered his finest and most lyrical work. Grant Green and Philly Joe Jones complete the group on this gem.

"...The recording is nicely holographic, full of dynamic life and harmonic richness, solidly 'there,' involving." - Wayne Garcia, The Absolute Sound, January 2012

Hank Mobley, tenor sax - Grant Green, guitar - Wynton Kelly, piano - Paul Chambers, bass - Philly Joe Jones, drums

Lee Morgan Lee-Way

Blue Note Analogue Productions CBNJ 84034 SA Hybrid-SACD

Blue Note jazz classic in audiophile sound quality

new, factory sealed

Trumpeter Lee Morgan was the album´s leader, but this April 1960 recording could just as easily have been led by any of the musicians on the date - alto saxophonist Jackie McLean, pianist Bobby Timmons, bassist Paul Chambers or drummer Art Blakey. Each musician makes a vital contribution as a soloist on this album, but it's their collective sound that takes your breath away. On Lee-way, you hear a complex new sound that's more soulful and ambitious than previous Blue Note hard bop releases. Much of the album's beauty is in how the different artists sound playing as one. Morgan's machine gun trumpet almost mellows against McLean's sharp alto edge. In turn, McLean's phrasing takes on a air of salvation when combined with Timmons' strong church-like lines. And Timmons' playing is less percussive here than it is with the Jazz Messengers, thanks largely to the precise sound of Chambers' mid-range bass lines. Art Blakey does his part, keeping everyone moving with his nightstick drum patterns. Leeway was recorded at a critical moment in the careers of these musicians. A month earlier, Morgan, Blakey and Timmons recorded The Big Beat with the rest of the Jazz Messengers. Two months' earlier McLean recorded Music from the Connection with Freddie Redd, in which McLean exhibited a more assertive and almost political sound on his alto. Three months earlier, Timmons recorded This Here Is Bobby Timmons, which heralded a new, neo-gospel piano style. As for Chambers, he had just returned from a rigorous spring tour of Europe backing Miles Davis and an increasingly independent John Coltrane.